This is an incredibly taut, insanely well directed film from the very first frame: we rest on Cass as she awakens early in the morning to begin her obviously well planned escape, an escape from Adrian’s house that also seeds ideas that will come back into play in the film’s quivering climax. Throw in the “nobody will believe the crazy woman who claims she’s being stalked” routine amped up to eleven, and you have a film that will shred both your fingernails and the armrests they’re siting on.
Both Whannell’s film and to a larger degree Verhoeven’s Hollow Man went deep into the brooding god complex one must surely develop when one cannot be seen, with Whannell using a hugely triggering battered woman syndrome plot to exacerbate the inherent fear and tension in the story. It’s a different take from previous films, which have focused solely on the man who turns invisible, but here the tables are turned (literally and figuratively) by using the invisible man plot device as the antagonist, and a genuinely scary one at that. Whannell scripts his film with the focus on Elisabeth Moss’ Cecilia Kass, a woman for whom escape from a domestic abuse scenario forms the central premise of the film’s opening half. It’s been played for comedy ( Abbott & Costello Meet The Invisible Man) and wanton comic-book usurpation ( The League Of Extraordinary Gentlemen), but the story works at its best when it embraces its horror roots and tackles the psychological elements of pure invisibility. Universal debuted their first feature film to bear the name in 1933, with Titanic’s Gloria Stuart co-starring alongside Claude Rains in the title role, spawning a clutch of sequels and spin-offs, while more modern takes on the idea include the Chevy Chase turkey Memoirs Of An Invisible Man (not based on the Wells’ creation) and Paul Verhoeven’s technologically awesome but creatively uneven Hollow Man, with Kevin Bacon and Elizabeth Shue. The notion of invisibility as a premise isn’t new: HG Wells published his original novel in 1897, and in the intervening 120 years we’ve had innumerable film and television iterations of not just that story but countless variations on the theme. She confides in James but he is disbelieving, and even Cee’s sister Emily (Harriet Dyer) while she feels like she’s slowly going crazy with paranoia, it dawns on her that Adrian appears to be well and truly alive and stalking her… and invisible. Thing take a strange turn, however, and she is constantly feeling like she’s being watched, or that there is some….one in the room with her, mysteriously controlling her life.
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When Adrian apparently commits suicide, Cee thinks she’s finally free of his controlling impulses when his brother, lawyer Tom (Michael Dorman – The Water Diviner, Daybreakers) advises her that she’s been left a sizeable sum of money in Adrian’s will, Cee decides to use her windfall to everyone’s benefit. The Invisible Man is a ripping creative success, filled with emotional gravitas, weighty themes of spousal abuse and post-traumatic stress, as well as nuanced psychological underpinnings, led from the front by a terrific Elisabeth Moss.Ĭecilia “Cee” Kass (Moss) abruptly leaves her abusive, controlling partner, wealthy scientist Adrian Griffin (Oliver Jackson-Cohen), and spends time recuperating at the home of childhood friend, San Franchisco police detective James Lanier (Aldis Hodge – Hidden Figures, What Men Want) and his daughter Sydney (Storm Reid). Fresh off his low-budget indie thriller Upgrade, Whannell dabbles with one of Universal’s most beloved cinematic icons and turns it into a part domestic violence drama, part horror-thriller, and delivers knockout blow after knockout blow. Leigh Whannell’s 2020 take on HG Wells’ famous creation, the titular invisible man, is a tense, thrilling, whackadoodle journey into insanity and terror.
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As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. Synopsis: When Cecilia’s abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. Principal Cast : Elisabeth Moss, Aldis Hodge, Storm Reid, Harriet Dyer, Oliver Jackson-Cohen, Michael Dorman, Benedict Hardie, Amali Golden, Sam Smith, Nash Edgerton, Zara Michaels, Anthony Brandon Wong.
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